A Raisin in the Sun Textual Analysis (2008) Free Essays

The film ‘A Raisin in the Sun’ (2008) is the hybridity genre of comedy and a realist drama. Its setting is a small apartment in Chicago, in the 1950s at times of racism segregation and also segregation towards women. The situation is that the protagonist is the film wants to be rich. We will write a custom essay sample on A Raisin in the Sun Textual Analysis (2008) or any similar topic only for you Order Now The target audience for this film would be from the age of 18+ as I feel it is directed more to the older people in society although the film is a PG. Its demographic audience would be some one of the B-C2 range. ‘A Raisin in the Sun Todorov’s narrative structure starts with equilibrium as even though the family is poor they are still happy even though they are struggling. Also as they receive the life insurance from Lena’s late husband. It moves on to disruption of equilibrium as when Lena gives Walter the money he loses it in his business. The disequilibrium continues as Ruth, Walters wife falls pregnant and is scared to tell Walter. The reinstatement of equilibrium is when Lena buys the house and they are all able to move in and are finally happy. The codes and convections that show the poorness of the family were there dress codes. There all wore cloths that would be worn by someone of a lower class as they were dirty and you could see that they were sewn back up in places. If they were of the richer class they would wear expensive suits and dress. They lived in a small apartment where there son had to sleep on the sofa, Beneatha and Lena had to share a room, this connotates that the family are struggling and there not enough room for everyone in the small apartment. They had to wake up early in the morning just to have a bath in time for work. All these add up to the fact that the segregation in those times was bad, and black people had to struggle to survive, and be persistent to be able to find their way through life. A Subversion of gender comes in three times; Firstly Walter ridicules Beneatha for wanting to be a doctor. In the 1950s women tended to be nurses not doctors as they felt men were much more capable and smarter this. But Beneatha had the persistence and had family should of supported her. The second time is when Lena Younger chooses to give Walter the money instead of Beneatha who needed it more for her education, just because Walter was ‘the man of the house’ by Lena’s gesture codes you can connotate that she didn’t really want to give him the money but felt she had to just to please him.. The third time was when Beneatha began to say that she doesn’t believe in God, which earned her a slap across the face from her mother. The director increases the diegetic sound of the slap to emphasize on the importance of it. Also bringing in a close up on Beneatha’s face to show her reaction. Her reaction dennotates shock however connotates the fact that she’s hurt that her mum would ever do something like that to her. How to cite A Raisin in the Sun Textual Analysis (2008), Papers

Budgeting Resources free essay sample

Budgeting Resources Once case has been initiated on a drug investigation and all the preliminary measures have been taken; the agency handling the case feels they have enough information to move forward; the next step is for officers to create a budget for what is needed to make a substantial case. According to the federal drug control the budget for the 2018 fiscal year is $27.57 billion; which has increased from the 2013 budget of $23. 8 billon(Economics of Drug Policy and the Drug War, n.d.). Drug investigations are one of the most expensive investigations the government is responsible for paying for on a state and local level. The cost related to a drug investigation must include the following resources: †¢ Financial Resources: Usually the department manager will have to create a budget, for the case officers, administrative cost (such as filing, documentation, etc.), and the cost of any equipment that would be needed for the investigation. The lead officers, should also make sure other expenses such as the cost for the drugs, space needed for surveillance (house, apartment, motel, etc. ), and there is a little extra included in the budget for any unexpected expenses.†¢ Manpower: For any case that will require months or years of extensive surveillance it should be arranged from the beginning that there will been a need for additional officers in case an emergency comes up for an officer or officers involved there is enough manpower in place to keep the investigation moving forward. Also, there needs to be enough manpower, if an informant or officer cover is blown and the deals starts to fall through or gets violent, enough offices are in place to assist.†¢ Investigative equipment: During the preparation stage of a case, usually the department manager will make sure the case officers have all the general equipment they need for the investigation. However, the case officers may advise on any specialized equipment that will be needed such as body transmitters, night viewing devices, radio scramblers, etc. Other Information Sources Most drug investigations are conducted by local police agencies, due to the fact they are usually more valuable during the investigation than outside resources, because they know their community well and will have a better chance of getting information from informants and from members in the community. However, at the start of any investigation case offices should review the following information which could be beneficial to the investigation (Lyman, 2007, p. 5):†¢ Incident reports: these are reports that usually come from a call where no criminal charges were involved or either they could have been misdemeanor chargers; such as a traffic accident; noisy neighbor, loitering, etc.†¢ Police intelligence reports: are important because they are categorized either by the suspected criminal activity, the location, and the suspects name and address. This information is important during the beginning stages of an investigation, because it can provide valuable data in pursuing an investigation, prosecutions, and narrowing down suspects. †¢ Arrest records: are important in an investigation because they provided information on rather or not a suspected suspect has any prior convictions or arrests. An arrest record also provides contact information for relatives and friends associated with the suspect; as well as current or former employment information.†¢ Warrant file: is important and very valuable because if the suspect has any outstanding warrants, this will give the officers a chance to bring the suspect in and it also helps officers identify any identifying markers such as tattoos, birth marks, piercing, etc. related to the suspect. Forfeiture SanctionsIn 1984 the Federal Comprehensive Forfeiture Act gave authority to seize any property base on the presumption that is included in any drug criminal activity. The Federal Comprehensive Forfeiture Act; allows officers to seize bank accounts, homes, rental properties , boats, cars, privately own business, and securities When a person is convicted of a drug felony he or she is subject to forfeiture sanctions; however, the government must establish probable cause that the property was purchased either within the time of the violation or shortly after; and there was no other source for the property (Lyman, 2007, p. 41). The Controlled Substance Act of 1970 (CSA) was a federal act passed by US Congress, which created a strict drug control policy under the control of the federal government. The CSA has penalties and fines in place for each violation up to $250,000 as well as seizure which can include the following; books, computers, all controlled substances, raw materia l and equipment (Lyman, 2007, p. 42). For example if a drug dealer sells drugs out her his/her home then that home becomes the place to facilitate the crime; therefore is seizable under the law. The War on Drugs has resulted in some of the most full-sized modification in the criminal justice system, due to the fact that the due process revolution of 1960s. Asset forfeiture has been used as a criminal sanction, however, has been camouflaged as a civil procedure, for that reason in impact limiting the due process procedures rights of these accused. The state has extended its control over citizens and has simultaneously weakened the right of folks to guard them in opposition to state intrusion (Jensen Gerber, 1996, p. 1). ConclusionUndercover officers within a local police department or state department were created to deal with the war on drugs and crimes. Undercover officers prepare evidence for the prosecutions of criminals involved in drug-related crimes. At times local officers may have to work with specialized drug squads or task forces, from different state or federal agencies. In order for any drug investigation to be successful officers need to be prepared, that includes making sure the officers have the necessary equipment needed; the manpower, as well as the financial means to complete the investigation from beginning to end. The resources to and access to other resources that can assist in the investigation such as being able to review arrest records, warrant files, police reports, incident reports, etc. Forfeiture laws and sanctions are investigative techniques that undercover officers can utilize during their investigations. This makes it possible for officers to seize monies, drugs, and property that could have been obtained with profits of drug activities.Undercover officers are a very valuable to all undercover investigations, however, officers and citizens within the community where the investigation is taking place are always in harms way during the investigations. At each stage of the investigations the undercover officers should always pro ceed with caution.

17th Century Life/scarlet Letter Essay Example For Students

17th Century Life/scarlet Letter Essay The Scarlet Letter by Nathaniel Hawthorne expresses the aspects of relationships, religion, community, discipline and punishment in the puritan community of 17th century Boston. Relationships between men and women were very constrained and that is what made adultery such a bad sin in the eyes of everyone in the community. Religion seemed to govern over all, people would look up to reverends and the community believed that fate was their destiny. Public discipline and punishment were used to discourage everyone else from committing the same crime or sin as the offending criminal did. The community was to follow the beliefs of god and to do their duties the best they could, yet were there to criticize and punish all who disobeyed the religion or laws. In 17th century Boston every thing was very strict and everyone was expected to follow the laws, which makes Hesters sin such an excellent example of the beliefs of that time period. The first scaffold scene is very important because the scene sums up the beliefs of the general public at that time, and gives a prospective of what Hester Prynne must deal with. In the beginning of chapter two the scene is described as it could have betokened nothing short of the anticipated execution of some noted culprit,(47) showing that the whole town was there for a ruthless public punishment. The crowd was not there for an execution though, but there for a public punishment of Hester Prynne who had committed adultery. A townsman describes Hesters punishment to a stranger as, they have doomed Mistress Prynne to stand only a space of three hours on the platform of the pillory, and then thereafter, for the remainder of her natural life, to wear a mark of shame upon her bosom. (58) This scene shows the weight of values and morals upon society in the 17th century and how public punishment was not only used as punishment but as a way to discourage others from committing the same crime. The community was key in this punishment because it helped alienate Hester and further her pain. The punishment brings forth Hesters underlying pain, Hester sent forth a cry she turned her eyes downward at the scarlet letter, and even touched it with her finger, to assure herself that the infant and the shame were real.(55) This pain only breaks surface once, yet throughout the whole story Hester must deal with the shame and emotional pain of the scarlet letter. The stranger sums it up best with the quotation, Thus she will be a living sermon against sin, until the ignominious letter be engraved upon her tombstone.Since religion was such a key part of their lives, anyone who did disobey their god was looked down upon. What made religion ironic in this story was how everyone looked up to a reverend that had committed the same sin as someone they looked down upon severely. Dimmesdale says, before the judgment-seat, thy mother, and thou, and I, must stand together! But daylight of this world shall not see our meeting!(134) The reverend knows his sin and wants be punished with Hester and Pearl, yet not until what he calls judgement day. In the 17th century, Puritans believed that there was a stern God who had decreed in advance the fate of each person for all time. Therefore, there was not much people felt they could do to become a better person in Gods eyes but do his biding with their jobs. To increase their chances of getting to go to heaven the townspeople would often get one step closer to God by getting close to a religious leader, which was bad for Arthur Dimmesdale who was probably farther away from God than everyone else because of his sin. Relationships were looked upon as something sacred and a woman should be loyal to her husband. .uc143e1c046a294fe5e297b3a7744ff06 , .uc143e1c046a294fe5e297b3a7744ff06 .postImageUrl , .uc143e1c046a294fe5e297b3a7744ff06 .centered-text-area { min-height: 80px; position: relative; } .uc143e1c046a294fe5e297b3a7744ff06 , .uc143e1c046a294fe5e297b3a7744ff06:hover , .uc143e1c046a294fe5e297b3a7744ff06:visited , .uc143e1c046a294fe5e297b3a7744ff06:active { border:0!important; } .uc143e1c046a294fe5e297b3a7744ff06 .clearfix:after { content: ""; display: table; clear: both; } .uc143e1c046a294fe5e297b3a7744ff06 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uc143e1c046a294fe5e297b3a7744ff06:active , .uc143e1c046a294fe5e297b3a7744ff06:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uc143e1c046a294fe5e297b3a7744ff06 .centered-text-area { width: 100%; position: relative ; } .uc143e1c046a294fe5e297b3a7744ff06 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uc143e1c046a294fe5e297b3a7744ff06 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uc143e1c046a294fe5e297b3a7744ff06 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uc143e1c046a294fe5e297b3a7744ff06:hover .ctaButton { background-color: #34495E!important; } .uc143e1c046a294fe5e297b3a7744ff06 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uc143e1c046a294fe5e297b3a7744ff06 .uc143e1c046a294fe5e297b3a7744ff06-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uc143e1c046a294fe5e297b3a7744ff06:after { content: ""; display: block; clear: both; } READ: The Syrian Refugee Crisis essay Once married it was considered a horrible offense if you were un-loyal to your spouse. They have not been bold to put force the extremity of our righteous law against her. The penalty therefor is death.(58) A townsman explains that the penalty is death for her crime (showing the harshness of the 17th century), yet that the other party in the affair must have played a strong role in tempting her, so they just sentenced her to the letter on her chest and three hours on the scaffold. The stranger shows how most people reacted when only seeing one of the guilty two parties up on the scaffold, it irks me, nevertheless, that the partner of her iniquity should not, at least, stand on the scaffold by her side. Women still did not have that many rights, so anything Hester said in her defense would have just have been ignored. Relationships were not supposed to be broken unless by divorce, even if the husband was at the bottom of the sea-where Hesters husband was believed to be.Through relationships, religion, community, discipline and punishment the reader can get a better understanding of what was expected of towns people in the 17th century. The Scarlet Letter shows the pain and suffering a woman went through when she broke her marriage, and disobeyed her religion. She then was sentenced to a public punishment to be humiliated, tormented, and alienated by the community around her. The fate driven religious society in 17th century Boston would not accept sin of any kind and the punishment for adultery was death. Instead, the community branded Hester Prynne with the letter A for the rest of her life and made her stand in front of the whole community as an example for everyone that sin and corruption was not accepted in their society.

How does the director Steven Spielberg use filmic techniques to build suspense and tension for the audience in the film jaws Essay Example

How does the director Steven Spielberg use filmic techniques to build suspense and tension for the audience in the film jaws Essay Steven Spielberg is now recognised as one of Hollywoods leading directors; a filmmaker who expresses his identity over a body of films. However, when he directed Jaws in 1975 he didnt have the expansive film technology that he now carries. The film does, though, contain several important elements that would be eventually recognised as part of a Spielberg film. His work in creating suspense and tension is recognised by critics all over the world.The film was surrounded by hype; mainly due to the lack of order in financing the film after it ran over budget, but readers of Peter Benchleys novel JAWS were anticipating a blockbuster of their time. Whilst Spielberg stated that the film was tacky but marvellous it proved to be a benchmark in his passage into stardom, his use of tension techniques becoming a main element within a Spielberg film.The tagline Dont go into the water has been etched into cinema folklore and the dur dur theme tune can be heard in a variety of films, quite possibly making it one of the worlds most renowned theme tunes.The title sequence is an important element in the film JAWS with the dur dur theme tune being introduced. The point of view shot (POV) along with the dur dur theme music creates a fear factor that is prominent throughout the film. The sharks power is amplified right from the beginning. The camera, or the shark, increases its speed in conjunction with the music increasing in tempo, demonstrating the incredible speed that the shark is capable of moving. This early signal alerts viewers to the alarming power the shark possesses. This implements a tension that is long spanned in the viewers mindset.The film begins with a mid shot of a seemingly average teenage party with a strangely chilling diegetic harmonica. This may alert viewers to the factor that everything might not be as it seems. The only light sources are the moon and a blazing fire. Lack of light can build a strong tension due to strained visibility. Fire, although it can provide warmth and comfort, it is often used in the visualisation of hell, and the use of the fire could also be read as a warning signal of what is to come. Chrissie asks to go skinny dipping and the track shot follows Chrissie and Tom, attempting to get undressed but Tom seems to be struggling, this shows us that he may be a liability to Chrissies cause.When Chrissie gets into the water the long shot shows her insignificance and scale to water, telling us that there is no escape. The bells clang, reminiscent of bells at a funeral, the shot and sound combined creates a scary prospect considering the title of the film. The setting is the most obvious element of the suspense. The scene is set at night, the setting where the majority of most horror movies takes place, severely limiting both the characters and the audiences visibility. As we seek more as Chrissies life hangs in the balance, we are restricted, building a frantic suspense. While in the water, Chrissie is suddenly jerked around by an unseen force and then pulled under.A close up of the horrified girls face builds a tension because you dont know what it is that is yanking at her legs. Her screaming is frantic, her legs splash, the audiences know this is the worst thing she can do. We care about her life and as the suspense grows we worry more. The sound at this point is very loud for a long period of time as the tension builds as Chrissie eventually goes under the water. The silence that follows this will scare audiences; this theme is continued throughout the film. Silence is a tension similar to the other tactic employed by Spielberg; keeping the shark out of visibility. The phobia of the water is enforced during this scene, a long spanning tension employed by Spielberg.This first attack may leave the killer open for debate as you do not see the shark during the duration of Chrissies death. As the film continues you see more and more of the shark, this creates an aura of tension and suspense as be fore every attack audiences are unsure to how much they will be exposed to. Spielberg is increasing the films psychological impact. The audience is forced to imagine what the shark looks like, rather than be told.Music in the film JAWS is used to fulfil the genre, however, when Quint, Brody and Hooper are on the boat, adventure seeking music is used occasionally. Spielberg only uses the dur dur when the shark attacks, not as a red herring. The audience may feel trapped through even the slightest and most subtle use of sound. In the second attack more horrific variations on the shark ostinato alter the way the shark is perceived, however in the Ben Gardners Boat scene an evocative, ominous searching cue that features an alien, strange tone conveyed through ascending string notes, and flute triads give an eerie feel rather than a frantic one. Hints of the shark ostinato play throughout, finally climaxing in a huge synthesizer tone. These changes in sound all add to tension as they are different false alarming teqniques.The genre Thriller is sometimes defined by suspense and Spielbergs critical use of false alarms develop a firm grasp with audiences. The director picks his moments to strike.The second attack makes use of false alarms to build tension, after Chrissies death audiences are nervous as to when the shark will strike once more. This attack takes place in daylight and comes as a surprise to the people of Amnity Island; however, for audiences the tension is stronger due to the amount of people present. This signifies more danger and more chance of death. As Brody sits and examines the beach, false alarms occur to develop this pattern in the film. The yellow lilo is prominent in this scene as a shot of the lilo going out is concluded later in the film with a shot of a ripped up version of the lilo. Brody, alone, watches the beach, a man with a secret. His neighbours discuss various topics, and one of them comes to pester him about some parking hassles obst ructing the camera angle of the sea, this brings back the tension of sight difficulties.The frisson between the triviality of Amity life and the life-and-death struggle Brody is silently engaged and its unbearable for him to cope with. Theres the old man with the hat scene, a false-scare that serves as a small misdirect due to his strange likeness to a shark. There is some more suspense as a boy calls for his dog that is missing in the water. Along with a clever camera angle (shallow focus which sees everything blurred but the girl on shoulders) that makes a girl on a boys shoulders look menacing. Tension has been built as to when the shark will strike. As audiences are sucked in, Spielberg strikes. Young Alex Kinter is killed in very spectacular fashion, the shark seemed to come up from underneath him and cause a volcano of blood.A long shot of his climatic death provides the extravagant and disturbing suspense needed. This death makes use of shark POV shots from under the water. C hildren splashing and the scene with the yellow lilo are viewed from the sharks perspective, the splashing very reminiscent of Chrissies death. As the shark moves steadily underneath the children, tension is built as it lifts closer to certain individuals, unsure of who will become the next victim.Brody has now seen the shark in a dramatic zoom shot from the beach; his perspective has been altered along with the audience. The holiday date of 4th July suddenly seems to dawn on audiences. We know this is the perfect time for the shark to kill; the suspense every time someone goes near the water is torturous.The next attack sees two comedic characters attempt to catch the shark with a holiday roast. The suspense surrounding this attack is very strong after previous events. You fear for both the men. The shark takes the bait and heads out to sea, taking the end of the dock, and one of the men, with it. This moment makes use of the mid shot, making sure all significant factors are in the shot. The second the man goes into the water, we fear for his life, and we do not relax until his feet get out of the water, this tension has been built up through the fear of the water factor. Spielberg even lets the camera linger (low angle) on his feet scrambling over the collapsed dock, knowing that we are waiting for the shark to leap up and snatch the man away. We dont see the shark in this scene adding to the psychological barrier being built up between the shark and viewers. This build up of tension has been cancelled out by the man getting away; we are being lulled into a false sense of security.In these first attacks, Spielberg has established the water as the dividing line between safety and danger. Do not go into the water is firmly etched into viewers mindsets.When Hooper and Brody go out on Hoopers boat to investigate, Hooper gets into the water. The darkness is a suspense builder especially with a fairly timid flash light being the only source of light. As a POV shot of Hoopers movement edges closer to the boat, tension builds as an ostinato of music builds. Ben Gardners head emerges from the hull of the boat in the musics climax, a high point of climatic tension in the film JAWS.Spielberg has used a variety of camera teqniques to build such tension in the film Jaws. Long/distant shots of boats show the vulnerability of a boat to the sea, creating a tension that there is no escape. Tracking shots in the 2nd attack are used to create suspense and mid shots in the scenes with Quint, Brody and Hooper allow the audience to examine the scale of human to shark and the strength the shark possesses.The 4th of July Regatta arrives, amid great controversy. Thousands of people arrive at the Amity dock, but the first thing Spielberg shows us in this scene is a souvenir stand selling shark jawbones. This is a tension that is built after we are shown that they are selling their worst fear as souvenirs. Brody has an armada of deputies surrounding the swimming area, helicopters and walkie-talkies, all the security 20th-century technology can muster, the suspense is rising, and we think that something is going to happen.A midshot takes in the happy holiday swimmers but we know that in the water is danger, only being free and clear of it is safety. Brodys fear becomes our fear; we are in the exact same position, which is where Spielberg wants an audience to be. This mindset has been stemmed from tension built earlier in the film. There is the cardboard fin false alarm, and the panic on the beach as the swimmers pound in to safety. The cardboard fin false alarm gives the audience a sigh of relief after a build up of suspense. Our attention is on the beach and Spielberg now puts the camera in high angled fashion on the pond, the place for old ladies, where Brodys son Michael is boating. Michael now becomes the vulnerable person nearest the shark and the tension rises when an onlooker sees the shark before Michael. A track shot of Michaels mo ther running down the beach alerts us as to who is in danger. The shark swims right by Michael in an above the water shot, we expect him to be attacked; however, he is raised from the ocean and taken to hospital safely. The suspense is lowered briefly until another above the water shot moves speedily towards a man in the water. Despite the success of Michael, a man is killed with his leg bitten off. An underwater shot tracks the leg as it hits the ocean floor. The tension that had been brewing had climaxed with an element of gore.The shark is slowly exposed more and more, a tension technique that is used to impeccable effect, especially when Brody, Hooper and Quint go out on the boat. A close up shot from behind Brody shows him coming face to face with the shark. Brody is playing with some knots but Spielbergs timing is impeccable. The scene of Brody looking at the camera, building a suspense as the sea is in view, and griping about the knots, to him standing up stock-straight as he comprehends the monster, to him backing into the cabin to say Youre gonna need a bigger boat is excellent. The suspense is slowly built up, the camera never leaving Brodys face but allowing the audience to see the water.A long shot of the boat in front of a dark moonlit sky shows the possible insignificance or scale of boat to sea. We are beginning to see that there is no escape and the sharks intelligence combined with the size of the boat is a tension that Spielberg has cleverly placed. The three begin singing Show me the way to go home in a mid shot of Quint and Hooper, whilst banging on the table in joyous moods, productively adding to their own downfall as they cant hear the shark banging against the boat. The camera lingers on Quint, Brody and Hooper before flashing back to the damage being done by the shark, the tension increases because we yearn for them to notice it for their own safety. The boards bend inward and water spurts inside the hull, a low placed camera shot, pos sibly from the top of the stairs, shows the water level rising. Our breathing stops because the water is coming in the boat, and Spielberg has done such an excellent job, through tension, of establishing that the water itself is an object of dread. Seconds later, the shark rams the boat and Brody falls into the water portrayed from a low angled camera shot.A close up shot of Brody shows him trying to ring for help only for Quint to destroy it. This suspense is a reaction to the reality that the threesome will be deprived of the outside world. Now that the shark has decided to wreck the boat, a plan is announced (A mid shot in soft focus shows Brody and Hooper talking. Quint, who is blurred, stands at the helm of the boat, bringing the attention to Hooper and Brody) to lead him into shallow waters and drown him. Quint is visibly disappointed by this plan and proceeds to destroy the boats motor. A mid shot in deep focus shows Quint at the forefront of the boat, singing in a slightly i nsane manner. A background of Hooper and Brody in disbelief builds suspense because they look incapable of stopping Quint. We are worried as to what Quint is doing and the tension is built as the smoke intensifies. We are maybe waiting for the boat to explode in a time bomb fashion.Another high point of tension is the scene when Hooper goes in the water. A close up shot of Hooper sees him declare his plan with, Have you got any better ideas. A shot from above the metal container has Brody, Quint and Hooper featured, this being a very tension filled scene, you feel this is the climax. There is a short preparation montage where we get our reminder of the oxygen tanks. Going into the water builds a tension within audiences because we expect Hooper to die however, he goes into the water to prove his worth and fails miserably, hiding behind a rock. Various angles are used to portray different sides of the shark. A shot from underneath the container shows the shark tangling with the conta iner, suspense runs through this scene as we see the shark in full. Some POV shots show the power of the shark ramming into the metal, the tension rises as the metal bends more and more. A mid shot of both Hooper and the shark shows the size comparison and when Hooper loses his spike that was to be used to kill the shark the suspense raises to its climax and we think this is Hoopers end. A fairly long shot of Hooper swimming to the rock is a nerve wracking moment as we know the shark could appear at any moment.In another scene, following Hoopers attempts, the shark jumps into the boat; a parallel sound accompanies the shark. Quint wants to kill the shark but falls steadily towards the gaping hole of the sharks mouth. Reverting shots of Quint and Brody show the contrasts and Brodys incapability to save Quint. The close up shot of just Quints legs struggling to avoid his end creates a massive tension as we await his legs to be bitten. A mid shot from behind Quint features the sharks m outh and Quint struggling to get away from the sharks mouth; the variety of shots show different angles that build tension. It seems to take for ages for Quint to die, the tension increasing per second. This is coupled with the loudness increasing ostinato that accompanies this scene. None diegetic sounds with a frantic feel add to the audiences feelings of suspense. This could possibly be the highest moment of tension within the film.In the final scene, there is already a remaining tension from Quints death. The boat is sinking and Brody is alone. The music ostinato begins again and long shots of the shark build the tension as the shark moves towards the boat. Brody fuses Hoopers science with Quints rifle and prepares to kill the shark. A long shot shows Brody climbing up the mast before preparing to shoot. The suspense is building and you know this is the climax. Mid shots that involve Brody with the gun and the sharks fin moving closer build tension as we prepare for the shark to get to Brody. The sound loudness and speed of ostinato grows as the shark gets closer, another suspense builder.A close up of Brodys face shows his concentration as one of his shots goes wide. The boat continues to sink, portrayed with more long shots. A POV shot shows the shark getting closer and when the oxygen tanks are thrown into the mouth of the shark, this is were we see the sharks mouth in full. The tension is at a climax in this scene and Spielberg allows the ostinato to reach its finale before Brody, in a close up, fires a gun shot that hits the oxygen tank. A long shot shows the volcano of blood and skin that erupt into the air. The tension is killed after a slow rise throughout the film.A close up of Brody shows his exhaustion and excitement, as audiences we are relieved.This is the product of a build of tension created by music and camera shots. Spielberg uses building ostinato and misdirecting dur durs to build tension. The art of false alarms create suspense due to t heir misleading traits. The tension is also built through silence and not showing the shark, we are made to think.Spielberg has done a great job of creating a tension ridden masterpiece using camera and sound. How does the director Steven Spielberg use filmic techniques to build suspense and tension for the audience in the film jaws Essay Example How does the director Steven Spielberg use filmic techniques to build suspense and tension for the audience in the film jaws Essay Steven Spielberg is now recognised as one of Hollywoods leading directors; a filmmaker who expresses his identity over a body of films. However, when he directed Jaws in 1975 he didnt have the expansive film technology that he now carries. The film does, though, contain several important elements that would be eventually recognised as part of a Spielberg film. His work in creating suspense and tension is recognised by critics all over the world.The film was surrounded by hype; mainly due to the lack of order in financing the film after it ran over budget, but readers of Peter Benchleys novel JAWS were anticipating a blockbuster of their time. Whilst Spielberg stated that the film was tacky but marvellous it proved to be a benchmark in his passage into stardom, his use of tension techniques becoming a main element within a Spielberg film.The tagline Dont go into the water has been etched into cinema folklore and the dur dur theme tune can be heard in a variety of films, quite possibly making it one of the worlds most renowned theme tunes.The title sequence is an important element in the film JAWS with the dur dur theme tune being introduced. The point of view shot (POV) along with the dur dur theme music creates a fear factor that is prominent throughout the film. The sharks power is amplified right from the beginning. The camera, or the shark, increases its speed in conjunction with the music increasing in tempo, demonstrating the incredible speed that the shark is capable of moving. This early signal alerts viewers to the alarming power the shark possesses. This implements a tension that is long spanned in the viewers mindset.The film begins with a mid shot of a seemingly average teenage party with a strangely chilling diegetic harmonica. This may alert viewers to the factor that everything might not be as it seems. The only light sources are the moon and a blazing fire. Lack of light can build a strong tension due to strained visibility. Fire, although it can provide warmth and comfort, it is often used in the visualisation of hell, and the use of the fire could also be read as a warning signal of what is to come. Chrissie asks to go skinny dipping and the track shot follows Chrissie and Tom, attempting to get undressed but Tom seems to be struggling, this shows us that he may be a liability to Chrissies cause.When Chrissie gets into the water the long shot shows her insignificance and scale to water, telling us that there is no escape. The bells clang, reminiscent of bells at a funeral, the shot and sound combined creates a scary prospect considering the title of the film. The setting is the most obvious element of the suspense. The scene is set at night, the setting where the majority of most horror movies takes place, severely limiting both the characters and the audiences visibility. As we seek more as Chrissies life hangs in the balance, we are restricted, building a frantic suspense. While in the water, Chrissie is suddenly jerked around by an unseen force and then pulled under.A close up of the horrified girls face builds a tension because you dont know what it is that is yanking at her legs. Her screaming is frantic, her legs splash, the audiences know this is the worst thing she can do. We care about her life and as the suspense grows we worry more. The sound at this point is very loud for a long period of time as the tension builds as Chrissie eventually goes under the water. The silence that follows this will scare audiences; this theme is continued throughout the film. Silence is a tension similar to the other tactic employed by Spielberg; keeping the shark out of visibility. The phobia of the water is enforced during this scene, a long spanning tension employed by Spielberg.This first attack may leave the killer open for debate as you do not see the shark during the duration of Chrissies death. As the film continues you see more and more of the shark, this creates an aura of tension and suspense as be fore every attack audiences are unsure to how much they will be exposed to. Spielberg is increasing the films psychological impact. The audience is forced to imagine what the shark looks like, rather than be told.Music in the film JAWS is used to fulfil the genre, however, when Quint, Brody and Hooper are on the boat, adventure seeking music is used occasionally. Spielberg only uses the dur dur when the shark attacks, not as a red herring. The audience may feel trapped through even the slightest and most subtle use of sound. In the second attack more horrific variations on the shark ostinato alter the way the shark is perceived, however in the Ben Gardners Boat scene an evocative, ominous searching cue that features an alien, strange tone conveyed through ascending string notes, and flute triads give an eerie feel rather than a frantic one. Hints of the shark ostinato play throughout, finally climaxing in a huge synthesizer tone. These changes in sound all add to tension as they are different false alarming teqniques.The genre Thriller is sometimes defined by suspense and Spielbergs critical use of false alarms develop a firm grasp with audiences. The director picks his moments to strike.The second attack makes use of false alarms to build tension, after Chrissies death audiences are nervous as to when the shark will strike once more. This attack takes place in daylight and comes as a surprise to the people of Amnity Island; however, for audiences the tension is stronger due to the amount of people present. This signifies more danger and more chance of death. As Brody sits and examines the beach, false alarms occur to develop this pattern in the film. The yellow lilo is prominent in this scene as a shot of the lilo going out is concluded later in the film with a shot of a ripped up version of the lilo. Brody, alone, watches the beach, a man with a secret. His neighbours discuss various topics, and one of them comes to pester him about some parking hassles obst ructing the camera angle of the sea, this brings back the tension of sight difficulties.The frisson between the triviality of Amity life and the life-and-death struggle Brody is silently engaged and its unbearable for him to cope with. Theres the old man with the hat scene, a false-scare that serves as a small misdirect due to his strange likeness to a shark. There is some more suspense as a boy calls for his dog that is missing in the water. Along with a clever camera angle (shallow focus which sees everything blurred but the girl on shoulders) that makes a girl on a boys shoulders look menacing. Tension has been built as to when the shark will strike. As audiences are sucked in, Spielberg strikes. Young Alex Kinter is killed in very spectacular fashion, the shark seemed to come up from underneath him and cause a volcano of blood.A long shot of his climatic death provides the extravagant and disturbing suspense needed. This death makes use of shark POV shots from under the water. C hildren splashing and the scene with the yellow lilo are viewed from the sharks perspective, the splashing very reminiscent of Chrissies death. As the shark moves steadily underneath the children, tension is built as it lifts closer to certain individuals, unsure of who will become the next victim.Brody has now seen the shark in a dramatic zoom shot from the beach; his perspective has been altered along with the audience. The holiday date of 4th July suddenly seems to dawn on audiences. We know this is the perfect time for the shark to kill; the suspense every time someone goes near the water is torturous.The next attack sees two comedic characters attempt to catch the shark with a holiday roast. The suspense surrounding this attack is very strong after previous events. You fear for both the men. The shark takes the bait and heads out to sea, taking the end of the dock, and one of the men, with it. This moment makes use of the mid shot, making sure all significant factors are in the shot. The second the man goes into the water, we fear for his life, and we do not relax until his feet get out of the water, this tension has been built up through the fear of the water factor. Spielberg even lets the camera linger (low angle) on his feet scrambling over the collapsed dock, knowing that we are waiting for the shark to leap up and snatch the man away. We dont see the shark in this scene adding to the psychological barrier being built up between the shark and viewers. This build up of tension has been cancelled out by the man getting away; we are being lulled into a false sense of security.In these first attacks, Spielberg has established the water as the dividing line between safety and danger. Do not go into the water is firmly etched into viewers mindsets.When Hooper and Brody go out on Hoopers boat to investigate, Hooper gets into the water. The darkness is a suspense builder especially with a fairly timid flash light being the only source of light. As a POV shot of Hoopers movement edges closer to the boat, tension builds as an ostinato of music builds. Ben Gardners head emerges from the hull of the boat in the musics climax, a high point of climatic tension in the film JAWS.Spielberg has used a variety of camera teqniques to build such tension in the film Jaws. Long/distant shots of boats show the vulnerability of a boat to the sea, creating a tension that there is no escape. Tracking shots in the 2nd attack are used to create suspense and mid shots in the scenes with Quint, Brody and Hooper allow the audience to examine the scale of human to shark and the strength the shark possesses.The 4th of July Regatta arrives, amid great controversy. Thousands of people arrive at the Amity dock, but the first thing Spielberg shows us in this scene is a souvenir stand selling shark jawbones. This is a tension that is built after we are shown that they are selling their worst fear as souvenirs. Brody has an armada of deputies surrounding the swimming area, helicopters and walkie-talkies, all the security 20th-century technology can muster, the suspense is rising, and we think that something is going to happen.A midshot takes in the happy holiday swimmers but we know that in the water is danger, only being free and clear of it is safety. Brodys fear becomes our fear; we are in the exact same position, which is where Spielberg wants an audience to be. This mindset has been stemmed from tension built earlier in the film. There is the cardboard fin false alarm, and the panic on the beach as the swimmers pound in to safety. The cardboard fin false alarm gives the audience a sigh of relief after a build up of suspense. Our attention is on the beach and Spielberg now puts the camera in high angled fashion on the pond, the place for old ladies, where Brodys son Michael is boating. Michael now becomes the vulnerable person nearest the shark and the tension rises when an onlooker sees the shark before Michael. A track shot of Michaels mo ther running down the beach alerts us as to who is in danger. The shark swims right by Michael in an above the water shot, we expect him to be attacked; however, he is raised from the ocean and taken to hospital safely. The suspense is lowered briefly until another above the water shot moves speedily towards a man in the water. Despite the success of Michael, a man is killed with his leg bitten off. An underwater shot tracks the leg as it hits the ocean floor. The tension that had been brewing had climaxed with an element of gore.The shark is slowly exposed more and more, a tension technique that is used to impeccable effect, especially when Brody, Hooper and Quint go out on the boat. A close up shot from behind Brody shows him coming face to face with the shark. Brody is playing with some knots but Spielbergs timing is impeccable. The scene of Brody looking at the camera, building a suspense as the sea is in view, and griping about the knots, to him standing up stock-straight as he comprehends the monster, to him backing into the cabin to say Youre gonna need a bigger boat is excellent. The suspense is slowly built up, the camera never leaving Brodys face but allowing the audience to see the water.A long shot of the boat in front of a dark moonlit sky shows the possible insignificance or scale of boat to sea. We are beginning to see that there is no escape and the sharks intelligence combined with the size of the boat is a tension that Spielberg has cleverly placed. The three begin singing Show me the way to go home in a mid shot of Quint and Hooper, whilst banging on the table in joyous moods, productively adding to their own downfall as they cant hear the shark banging against the boat. The camera lingers on Quint, Brody and Hooper before flashing back to the damage being done by the shark, the tension increases because we yearn for them to notice it for their own safety. The boards bend inward and water spurts inside the hull, a low placed camera shot, pos sibly from the top of the stairs, shows the water level rising. Our breathing stops because the water is coming in the boat, and Spielberg has done such an excellent job, through tension, of establishing that the water itself is an object of dread. Seconds later, the shark rams the boat and Brody falls into the water portrayed from a low angled camera shot.A close up shot of Brody shows him trying to ring for help only for Quint to destroy it. This suspense is a reaction to the reality that the threesome will be deprived of the outside world. Now that the shark has decided to wreck the boat, a plan is announced (A mid shot in soft focus shows Brody and Hooper talking. Quint, who is blurred, stands at the helm of the boat, bringing the attention to Hooper and Brody) to lead him into shallow waters and drown him. Quint is visibly disappointed by this plan and proceeds to destroy the boats motor. A mid shot in deep focus shows Quint at the forefront of the boat, singing in a slightly i nsane manner. A background of Hooper and Brody in disbelief builds suspense because they look incapable of stopping Quint. We are worried as to what Quint is doing and the tension is built as the smoke intensifies. We are maybe waiting for the boat to explode in a time bomb fashion.Another high point of tension is the scene when Hooper goes in the water. A close up shot of Hooper sees him declare his plan with, Have you got any better ideas. A shot from above the metal container has Brody, Quint and Hooper featured, this being a very tension filled scene, you feel this is the climax. There is a short preparation montage where we get our reminder of the oxygen tanks. Going into the water builds a tension within audiences because we expect Hooper to die however, he goes into the water to prove his worth and fails miserably, hiding behind a rock. Various angles are used to portray different sides of the shark. A shot from underneath the container shows the shark tangling with the conta iner, suspense runs through this scene as we see the shark in full. Some POV shots show the power of the shark ramming into the metal, the tension rises as the metal bends more and more. A mid shot of both Hooper and the shark shows the size comparison and when Hooper loses his spike that was to be used to kill the shark the suspense raises to its climax and we think this is Hoopers end. A fairly long shot of Hooper swimming to the rock is a nerve wracking moment as we know the shark could appear at any moment.In another scene, following Hoopers attempts, the shark jumps into the boat; a parallel sound accompanies the shark. Quint wants to kill the shark but falls steadily towards the gaping hole of the sharks mouth. Reverting shots of Quint and Brody show the contrasts and Brodys incapability to save Quint. The close up shot of just Quints legs struggling to avoid his end creates a massive tension as we await his legs to be bitten. A mid shot from behind Quint features the sharks m outh and Quint struggling to get away from the sharks mouth; the variety of shots show different angles that build tension. It seems to take for ages for Quint to die, the tension increasing per second. This is coupled with the loudness increasing ostinato that accompanies this scene. None diegetic sounds with a frantic feel add to the audiences feelings of suspense. This could possibly be the highest moment of tension within the film.In the final scene, there is already a remaining tension from Quints death. The boat is sinking and Brody is alone. The music ostinato begins again and long shots of the shark build the tension as the shark moves towards the boat. Brody fuses Hoopers science with Quints rifle and prepares to kill the shark. A long shot shows Brody climbing up the mast before preparing to shoot. The suspense is building and you know this is the climax. Mid shots that involve Brody with the gun and the sharks fin moving closer build tension as we prepare for the shark to get to Brody. The sound loudness and speed of ostinato grows as the shark gets closer, another suspense builder.A close up of Brodys face shows his concentration as one of his shots goes wide. The boat continues to sink, portrayed with more long shots. A POV shot shows the shark getting closer and when the oxygen tanks are thrown into the mouth of the shark, this is were we see the sharks mouth in full. The tension is at a climax in this scene and Spielberg allows the ostinato to reach its finale before Brody, in a close up, fires a gun shot that hits the oxygen tank. A long shot shows the volcano of blood and skin that erupt into the air. The tension is killed after a slow rise throughout the film.A close up of Brody shows his exhaustion and excitement, as audiences we are relieved.This is the product of a build of tension created by music and camera shots. Spielberg uses building ostinato and misdirecting dur durs to build tension. The art of false alarms create suspense due to t heir misleading traits. The tension is also built through silence and not showing the shark, we are made to think.Spielberg has done a great job of creating a tension ridden masterpiece using camera and sound.

How to Write an Abstract for a Scientific Paper

How to Write an Abstract for a Scientific Paper If youre preparing a research paper or grant proposal, youll need to know how to write an abstract. Heres a look at what an abstract is and how to write one. Abstract An abstract is a concise summary of an experiment or research project. It should be brief typically under 200 words. The purpose of the abstract is to summarize the research paper by stating the purpose of the research, the experimental method, the findings, and the conclusions. How to Write an Abstract The format youll use for the abstract depends on its purpose. If youre writing for a specific publication or a class assignment, youll probably need to follow specific guidelines. If there isnt a required format, youll need to choose from one of two possible types of abstracts. Informational Abstracts An informational abstract is a type of abstract used to communicate an experiment or lab report. An informational abstract is like a mini-paper. Its length ranges from a paragraph to 1 to 2 pages, depending on the scope of the report. Aim for less than 10% the length of the full report.Summarize all aspects of the report, including purpose, method, results, conclusions, and recommendations. There are no graphs, charts, tables, or images in an abstract. Similarly, an abstract does not include a bibliography or references.Highlight important discoveries or anomalies. Its okay if the experiment did not go as planned and necessary to state the outcome in the abstract. Here is a good format to follow, in order, when writing an informational abstract. Each section is a sentence or two long: Motivation or Purpose: State why the subject is important or why anyone should care about the experiment and its results.Problem: State the hypothesis of the experiment or describe the problem you are trying to solve.Method: How did you test the hypothesis or try to solve the problem?Results: What was the outcome of the study? Did you support or reject a hypothesis? Did you solve a problem? How close were the results to what you expected? State-specific numbers.Conclusions: What is the significance of your findings? Do the results lead to an increase in knowledge, a solution that may be applied to other problems, etc.? Need examples? The abstracts at PubMed.gov (National Institutes of Health database) are informational abstracts. A random example is this abstract on the effect of coffee consumption on Acute Coronary Syndrome. Descriptive Abstracts A descriptive abstract is an extremely brief description of the contents of a report. Its purpose is to tell the reader what to expect from the full paper. A descriptive abstract is very short, typically less than 100 words.Tells the reader what the report contains, but doesnt go into detail.It briefly summarizes the purpose and experimental method, but not the results or conclusions. Basically, say why and how the study was made, but dont go into findings.   Tips for Writing a Good Abstract Write the paper before writing the abstract. You might be tempted to start with the abstract since it comes between the title page and the paper, but its much easier to summarize a paper or report after it has been completed.Write in the third person. Replace phrases like I found or we examined with phrases like it was determined or this paper provides or the investigators found.Write the abstract and then pare it down to meet the word limit. In some cases, a long abstract will result in automatic rejection for publication or a grade!Think of keywords and phrases a person looking for your work might use or enter into a search engine. Include those words in your abstract. Even if the paper wont be published, this is a good habit to develop.All information in the abstract must be covered in the body of the paper. Dont put a fact in the abstract that isnt described in the report.Proof-read the abstract for typos, spelling mistakes, and punctuation errors.

In Depth Divorse Law Case Study Assignment Example | Topics and Well Written Essays - 3500 words

In Depth Divorse Law Case Study - Assignment Example Fixed resource bargaining or simply â€Å"Zero-Sum† is sometimes referred to as win-lose or distributive bargaining. It is a negotiation strategy in bargaining that is usually employed in the distribution of fixed resources like money hence the name Fixed resource bargaining. Each party in the negotiations usually feel that their objectives or interests are in a balance and therefore the major goal is the trying to and securing concession from the party that is unwilling. Hence one of the parties will lose and thus the name win-lose bargaining.It is a bargaining type that is significant since it aids in solving disputes that would otherwise no have been resolved by employing any other method. In the event that the stakes involved are very high, the resistance to decree is oftenly heightened. It is very difficult to announce as to how the matter that is being negotiated will be dealt with.The captious layout in the â€Å"Zero-Sum† bargaining method is analyzed by a †Å"bargaining some model of negotiations†. There are three vital negotiation points in the model in the book. The first is the offer point in which one side opens an offer to the opposite side. By doing this, expectations from both groups are stipulated as a beginning point. Nevertheless this is done with the supposition that stipulating the desired point in which they contain their rational and final agreement. Of course the other party will rebut this favoring the target they contain.

Global Warming Essay Example | Topics and Well Written Essays - 1000 words - 10

Global Warming - Essay Example Erosion and urbanization continue to be the main culprit that has destroyed livestock. Peterson (2005)Agriculture demands in have slowly exponentially have to be in compliance with the environmental rules that propagated the cause for deforestation. As a matter of fact, this article is firm to promote an organic approach that would diminish integrated pest management and safe use of insecticide, pesticides, weedicide, and herbicides. As a result, water resources are scarce because of obvious human development as water pollution and corrosion continue to plague the eco system. Water resources depend on the hydrologic cycle, on climate change, and to some degree on fossil water in the ground. Peterson (2005) The constant depletion of natural resources are building up atmospheric pressure that is detrimental to the environment. As a result, the massive amount of population growth and the associated increase in agriculture, which has incite to utilize groundwater resources. It is evident that water scarcity will be an issue. Hence, this poses a serious problem of seeking other sources for energy, which results in burning fossil fuels. Burning fossil fuels is a detriment to the environment because it forces climate change. This is a mitigation risk that needs to be embedded. One of the high focal points that has been emphasized over the years as an alternative approach for energy source has been solar energy in this realm. The utilization of a solar initiative can be a very robust solution that can be utilized for powering residential and industrial purposes. One of the many advantages that solar energy offer is substantial reduction in pollution since no waste product is yielded. The production of energy is being derived from use of fossil fuel. Another great facet that solar energy offers is the fact that it can harness electricity in